首页|土司书写的影视表达:隐喻、渐进与地方知识——以羌族电影《红色土司》为例

土司书写的影视表达:隐喻、渐进与地方知识——以羌族电影《红色土司》为例

Film-TV Making of Chieftains'Stories:Metaphor,Fade-in and Local Knowledge——Illustrated by the Filmed'The Story of Chieftain'of the Qiangic Ethnic Group

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土司制度是中国历史上地方治理的方式之一.近年兴起的关涉土司的文学书写和影视表达,引发了历史研究和跨学科探讨.在土司影视的成长过程中,2019年上映的《红色土司》成为反映羌族革命英雄主义的里程碑.本文从该片的背景介绍出发,重点分析影片中的隐喻意涵、线性叙事的渐进手法以及地方知识的嵌入.余论展望土司影视艺术,期待土司影视系统化的规制和发展;相关史料需要进一步做艺术和情感方面的处理,使历史时代的具体经验为今所用、于今有利.
As one way of local governance in China's history,the chieftain system has aroused academic interest in historical and interdisciplinary studies. Literary writing and film-TV making of the chieftains'stories have been a trendsetter in recent years. During the chieftain film-TV production,The Story of Chieftain released in 2019 be-comes a milestone,mirroring revolutionary heroism and community construction for the Qiangic ethnic group. Start-ing from this film's background introduction,this paper focuses on analyzing its metaphorical usage,fading-in line-ar narrative and inbuilt local knowledge. In the conclusion,this paper is looking to the future of the chieftains' film-TV making art,which waits for a systematic development and regulation. Historical materials need a further treatment of art and sentiments,so specific historical experiences will serve today's purposes.

The Story of Chieftainfilm-TV makingmetaphorlinear narrativelocal knowledge

夏懿

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中央民族大学 北京 100081

《红色土司》 影视表达 隐喻 线性叙事 地方知识

国家社会科学基金一般项目

18BM037

2024

阿坝师范学院学报
阿坝师范高等专科学校

阿坝师范学院学报

CHSSCD
影响因子:0.237
ISSN:2096-1707
年,卷(期):2024.41(1)
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