首页|腔调与滥调——"新文艺腔"的韵律研究

腔调与滥调——"新文艺腔"的韵律研究

Tones and Cliches——Study on the Rhythm of 'New Literary Style'

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20世纪初年,新文化同人以"白话文学"相号召,形成了现代汉语文学创作的语言基础.其时,以"冰心体"为代表的"欧化语体"因思想的优胜与形式的新颖,成为现代文学的先锋文本,在青年学生群体中广为传播,其融会口语及欧化语过程中形成的韵律不匀,被谓之为新文艺的"滥调",是为"新文艺腔"的先声.以文言、口语、欧化语多语体杂糅而成的"新文艺腔",通过不断的韵律试验与调适,进而融入现代白话文学创作中.从现代文学及现代汉语书面语日渐成熟的角度视之,"欧化语体"作为"历史中间物",奠定了现代文学及现代汉语的书面语基础,成为建构现代汉语书面语的重要一翼.
The'vernacular literature'called on among New Culture Movement initiators and drivers in the early years of the 20th century has ushered in literary creation by way of modern Chinese.The'Bing Xin Style',featu-ring Europeanized manoeuvre of language,became the avant-garde text of modern literature due to its unusual thoughts and novel form,and was widely spread among young students.Irregular rhythms in Bing Xin's style ensu-ing from integrated spoken language and Europeanized language were called a cliche of the new literature and art,a vanguard of'new literary style'.The'new literary style',a mixture of classical Chinese,spoken English and Eu-ropeanized language,has been integrated into the modern vernacular literary creation through a continuous test and adaptation in rhythm.From the perspective whereby modern literature and modern Chinese written language are ev-er-ripening,with Europeanized language as its'historical intermediate',the'new literary style'has provided a solid foundation for modern literature and modern Chinese written language,and grown into a major wing of modern Chinese written language construction.

new literary stylewritten languagerhythmstandard metre

刘弟娥

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湖南师范大学文学院(湖南长沙410081)

"新文艺腔" 书面语 韵律 标准音步

2024

阿坝师范学院学报
阿坝师范高等专科学校

阿坝师范学院学报

CHSSCD
影响因子:0.237
ISSN:2096-1707
年,卷(期):2024.41(2)