安阳工学院学报2025,Vol.24Issue(1) :86-89.DOI:10.19329/j.cnki.1673-2928.2025.01.017

黄宾虹印学研究的思维立场探析

An Analysis of Huang Binhong's Thinking Position in the Sigillography Research

马一恒
安阳工学院学报2025,Vol.24Issue(1) :86-89.DOI:10.19329/j.cnki.1673-2928.2025.01.017

黄宾虹印学研究的思维立场探析

An Analysis of Huang Binhong's Thinking Position in the Sigillography Research

马一恒1
扫码查看

作者信息

  • 1. 淮北师范大学美术学院,安徽淮北 310000
  • 折叠

摘要

黄宾虹对印学的研究在其同时期学者中是最为出色的,综观其印学研究的思维立场涉朴学、金石学和艺术学等领域.他以朴学为基础,专治一业,并依照金石学中的著录分类法,从印文的内容、功能、材质等多角度对古印进行细致分类,将肖形印单独划分,开创了印章分类史的新方法.在印学研究中,黄宾虹从艺术学立场强调书画印之间的融通,深入发掘古印中可为书画创作所用的艺术元素,将古玺印中的"不齐"拓展到书画创作中.

Abstract

Huang Binhong's research on the art of seal carving was the most outstanding among scholars of his time.His ideological stances in the study of seal art spanned fields such as pragmatic learning,epigraphy,and art.Based on pragmatic learning,he specialized in this area.Following the cataloging and classification methods in epigraphy,he meticulously classified ancient seals from multiple perspectives,including the content,function,and material of the seal inscriptions.He separately categorized pictorial seals,initiating a new approach in the history of seal classification.In his research on seal art,from the perspective of art,Huang Binhong emphasized the integration among calligraphy,painting,and seal.He deeply explored the artistic elements in ancient seals that could be applied to calligraphy and painting creation,and extended the concept of"asymmetry"in ancient seals to calligraphy and painting.

关键词

黄宾虹/印学/朴学/金石学/艺术学

Key words

Huang Binhong/sigillography/pragmatic learning/epigraphy/art

引用本文复制引用

出版年

2025
安阳工学院学报
安阳工学院

安阳工学院学报

影响因子:0.24
ISSN:1673-2928
段落导航相关论文