邵氏黄梅调电影的空间向度与认同美学
The Spatial Dimensionality and Identity Aesthetics of Shaw Brothers Huangmei Opera Films
蔡河明1
作者信息
- 1. 淮南师范学院 文学与传播学院,安徽 淮南 232038
- 折叠
摘要
以列斐伏尔的空间生产理论为视角,对邵氏黄梅调电影进行分析,可以发现邵氏黄梅调电影蕴含的不同类型空间的表征显现.在空间视域下,邵氏黄梅调电影的发展还体现出了共同的文化美学特征,其内在的心理机制就来源于电影创作者和接受者对文化传统的体认和认同.分析了邵氏黄梅调电影不同空间下的共同的文化美学特征,为香港邵氏黄梅调电影研究提供了新的视角,也为从空间理论和文化理论角度研究黄梅调电影提供了新的方法论启示.
Abstract
From the perspective of Lefebvre's theory of spatial production,Shaw Brothers Huangmei Oper-a Films were analyzed in this paper which reveals the manifestation of different types of spatial representa-tions.In the spatial perspective,the development of Shaw Brothers Huangmei Opera Films also reflects common cultural and aesthetic characteristics,and its internal psychological mechanism comes from the recognition and recognition of cultural traditions by film creators and receivers.The common cultural and aesthetic characteristics were analyzed of the Huangmei Opera films in different spaces,providing a new perspective for the study of Shaw Brothers Huangmei Opera Films in Hong Kong,and also providing new methodological inspiration for studying Huangmei Opera Films from the perspectives of spatial theory and cultural theory.
关键词
邵氏黄梅调电影/空间向度/空间生产/认同美学Key words
Shaw Brothers Huangmei Opera Films/spatial dimensionality/space production/identity aes-thetics引用本文复制引用
基金项目
淮南师范学院人文社科校级重点项目(2022XJZD016)
安徽省高等学校质量工程项目(2022xjzlts038)
出版年
2024
NETL
NSTL
万方数据