The Spatial Dimensionality and Identity Aesthetics of Shaw Brothers Huangmei Opera Films
From the perspective of Lefebvre's theory of spatial production,Shaw Brothers Huangmei Oper-a Films were analyzed in this paper which reveals the manifestation of different types of spatial representa-tions.In the spatial perspective,the development of Shaw Brothers Huangmei Opera Films also reflects common cultural and aesthetic characteristics,and its internal psychological mechanism comes from the recognition and recognition of cultural traditions by film creators and receivers.The common cultural and aesthetic characteristics were analyzed of the Huangmei Opera films in different spaces,providing a new perspective for the study of Shaw Brothers Huangmei Opera Films in Hong Kong,and also providing new methodological inspiration for studying Huangmei Opera Films from the perspectives of spatial theory and cultural theory.
Shaw Brothers Huangmei Opera Filmsspatial dimensionalityspace productionidentity aes-thetics