首页|城市电子影像的共同体叙事及其可见性生产

城市电子影像的共同体叙事及其可见性生产

扫码查看
城市电子影像作为人类对光影关系持续探索的最大规模实践,体现了人类寻找特定事物可见性的努力,成为现代民族国家的共同体叙事获得高可见性的理想媒介.其在色彩选择、秩序整合等共同体审美形态中,以象征生产、空间生产表述了共同体记忆,进而通过情动体验、互动仪式激发为共同体情感,最终聚合为人们的共同体认同.共同体叙事的可见性得以凸显并生成可见的共同体,这是安德森"想象的共同体"论断的进一步延伸.共同体叙事对城市电子影像的征用,是对大众注意力在公共空间的重新分配,使其成为露天电影之后,又一种在公共空间大规模组织集体观看的影像媒介.
The Community Narrative of the Urban Electronic Image and Its Visibility Production
As the largest scale practice of human's continuous exploration of the relationship between light and shadow,urban electronic images reflect human's efforts to explore the visibility of specific things and become an ideal medium for the community narrative of modem nation states to obtain high visibility.In the aesthetic forms of the community such as color selection and order integration,it expresses the community memory by symbolic production and spatial production,which has not only stimulated community emotion through emotional experience and interactive ceremony,but also aggregated into people's community identity.The visibility of community narrative is fully highlighted and a visible community is generated,which is a further extension of Anderson's theory of"imaginary community".The expropriation of urban electronic images by community narrative is another largescale political mobilization public media after the mass attention is reorganized in public space,making it an open-air film.

urban electronic imagecommunityvisibility

李文甫

展开 >

长江师范学院传媒学院,重庆 408100

城市电子影像 共同体 可见性

2018年度重庆市社会科学规划项目2021年度重庆市教委人文社会科学项目

20180NCB4821SKGH233

2024

编辑之友
山西出版传媒集团有限责任公司

编辑之友

CSSCICHSSCD北大核心
影响因子:0.9
ISSN:1003-6687
年,卷(期):2024.(2)
  • 31