首页|经营之道:清末民初北京照相馆的变革与发展

经营之道:清末民初北京照相馆的变革与发展

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摄影术自19世纪60年代传入北京后,当地照相馆便如雨后春笋般开始出现.在中西文化碰撞下,京师的摄影从业者在经营过程中为使照相馆更加适应中国顾客需要,结合中国传统文化艺术,通过对照相馆的布景与道具进行变革,增加拍照形式,为照片进行着色等新颖方式对照相馆的艺术商业模式进行了本土化探索,使北京的照相馆在中西融合中形成了独特的拍摄风格.这些措施改变了大众传统的艺术审美观念,推动了清末民初北京照相业的发展.
Since the introduction of photogra-phy to Beijing in the 1860s,local photo studios have sprung up like mushrooms after rain.Under the collision of Chinese and Western cultures,photography practitioners in Beijing have ex-plored the localization of the art and business model of the photography studios through inno-vative methods such as changing the setting and props of the studios,adding photography forms,coloring photos combined with traditional Chi-nese culture and art in order to make the studios catering to Chinese customers.These measures have enabled photo studios in Beijing to form unique shooting styles in the fusion of Chinese and Western cultures.These measures not only changed the traditional artistic aesthetic con-cepts of the public but also promoted the devel-opment of photography industry in Beijing in the Late Qing Dynasty and early Republic of China.

Late Qing Dynasty and early Re-public of ChinaBeijingPhoto studioPhotogra-phyLocalization transformation

王学斌

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山西大同大学云冈学学院

清末民初 北京 照相馆 摄影 本土化变革

2024

北京档案
北京市档案局,北京市档案学会

北京档案

CHSSCD北大核心
影响因子:0.227
ISSN:1002-1051
年,卷(期):2024.(1)
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