朱熹音乐美学思想本论与延伸
The Theory and Extension of Zhu Xi's Music Aesthetics Thought
蒋方舟1
作者信息
- 1. 曼谷吞武里大学 音乐学院,泰国 曼谷 10170
- 折叠
摘要
探讨中国古代思想家朱熹的音乐美学思想,并将其与现代音乐美学进行对比和延伸.通过对朱熹音乐美学思想的综述和分析,揭示其对音乐定义、审美观、音乐批评等方面的独特见解.同时,通过比较朱熹与现代音乐美学的联系与差异,探讨朱熹音乐美学思想在古典音乐和现代音乐中的应用与启示.拓展对中国古代音乐美学的理解,促进朱熹音乐美学思想的传承与创新,并为当代音乐美学研究提供新的思考方向.
Abstract
This article aims to explore the music aesthetic ideas of ancient Chinese philosopher Zhu Xi,compare and extend them with modern music aesthetics.Through a review and analysis of Zhu Xi's mu-sic aesthetics,this article reveals his unique insights into music definition,aesthetic views,music criti-cism,and other aspects.Meanwhile,by comparing the connection and differences between Zhu Xi and modern music aesthetics,this paper explores the application and inspiration of Zhu Xi's music aesthet-ics in classical and modern music.This article aims to expand the understanding of ancient Chinese mu-sic aesthetics,promote the inheritance and innovation of Zhu Xi's music aesthetics ideas,and provide new directions for contemporary music aesthetics research.
关键词
朱熹/音乐美学/音乐思想Key words
Zhu Xi/Music aesthetics/Musical thought引用本文复制引用
出版年
2024
NETL
NSTL
万方数据