摘要
简要回顾近代"出版"概念自日本引入我国的过程,对比中、日、英、美等国的概念差异.梳理"出版"概念内涵及外延在我国的三个发展阶段,提出概念演进是实践发展的结果,呈现反映产业化趋势、弱化技术属性、强化思想文化属性的特征.对比中西方的"出版"概念内涵,从马克思哲学观点出发,提出当前"出版"概念内涵的显著特征是文化主体性,表现在文化选择、文化加工、文化创新和文化交流等方面.指出编辑环节是出版工作的中心环节,编辑人员是文化主体性的主要贡献者.
Abstract
The paper provides a concise overview of the introduction of the modern concept of"publishing"from Japan to our country and compares the differences in this concept across China,Japan,the United Kingdom,and the United States.It dissects the connotation and extension of the"publishing"concept during three stages of development in China,asserting that the evolution of the concept is a consequence of practical development,exhibiting trends towards industrialization,a reduction in technological emphasis,and an intensification of ideological and cultural attributes.Comparing the connotations of the"publishing"concept between eastern and western contexts,and grounded in Marxist philosophical thought,the paper argues that a significant characteristic of the contemporary"publishing"concept is cultural subjectivity,which is evidenced in cultural selection,cultural processing,cultural innovation,and cultural exchange.The editorial phase is identified as the pivotal link in the publishing chain,with editors being the key contributors to cultural subjectivity.
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