"三言二拍"中的节妇形象探析
An Analysis on the Images of Chaste Women in Sanyan and Erpai
许佳慧 1邱阳1
作者信息
- 1. 长春师范大学 文学院,吉林 长春 130032
- 折叠
摘要
明代妇女守节已成为社会常态,文学作品中的节妇数量比前代显著增加."三言二拍"中专写节妇的篇目众多,节妇形象更加丰富饱满.本文通过对"三言二拍"中节妇形象的整理与分类,分析各类形象的特点.关于节妇形象的类型,根据其婚姻状况,大致分为已婚守节女性和未婚守节女性;根据守节原因,可将其分为为情守节女性和为理守节女性.从数量上看,为理守节的女性多于为情守节的女性.
Abstract
In the Ming Dynasty,it has been a normal phenomenon that a woman preserved chastity after the death of her husband, and the number of chaste women in literary works increased significantly. In Sanyan and Erpai ,there are many stories about chaste women,and their images are more vivid. In this paper,by sorting and classifying the images of chaste women,the author analyzes the characteristics of chaste women depicted in Sanyan and Erpai. According to their marital status,chaste women can be roughly divided into two types:married and unmarried. And they can also be divided into women who remain chastity for love and for good reputation. In terms of quantity,the latter is larger than the former .
关键词
"三言二拍"/节妇形象/守节Key words
Sanyan and Erpai/the images of chaste women/preserve chastity引用本文复制引用
出版年
2024
NETL
NSTL
万方数据