摘要
作为中国最具代表意义的音乐文化典籍《礼记·乐记》始终贯彻一个基本逻辑,即音乐来自人的心灵感应.本文基于音乐心理学视角,以《礼记·乐记》为文本,围绕哀心、乐心、喜心、怒心、敬心、爱心等心态与音乐的互动机理,淫志、溺志、烦志、乔志等心志与音乐的互动机理,疏达、恭俭、清廉、温良等心理品格与音乐的互动机理,探讨人的心理与音乐之间的辩证关系.
Abstract
The Book of Rites,the most representative classic of Chinese music culture,consistently upholds a fundamental logic,that is,music which originates from the resonance of the human mind.Taking The Book of Rites as a case study,this paper explores from the perspective of music psychology the interaction mechanisms between music and three aspects,including various mental states of sorrow,joy,anger,reverence,love;different mental aspirations like indulgence,obsession,annoyance and arrogance,and psychological quali-ties of open-mindedness,respectfulness,integrity and gentleness.Through such analysis,this paper aims to investigate the dialectical relationship between human psychology and music.
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