The S102 is a hall of worship formed after large-scale reconstruction in later years at The Site of the Buddhist Temple in Qocho Uighur Period at Beiting.A total of 22 statues are retained in the hall,most of which are seriously damaged.However,through the analysis of the spatial shape of the statue layout,it can be found that the local space between the statues is affected by the spread of the combination form of Central Plains culture and stat-ues,and the overall space is formed by imitating the Han temple in Central Plains.The artistic style of the statue in-herited the typical facial features of the Uighur Buddhist art in Gaochang,retained the proportion of the body round and thick,and the color was still dominated by red.However,the shape of the clothing pattern was more concise and heavy,which reflected the different from the complex and gorgeous style before,and tended to the aesthetic pursuit of Buddhist art in the Central Plain at the same time.Both space and art reflect the late development of Buddhism in Beiting and the further strengthening of the Gaochang royal family's recognition of the Central Plains culture.
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