泉州开元寺印度教石柱装饰图案融合研究以皮尔斯符号学理论为基础
RESEARCH ON THE INTEGRATION OF HINDU STONE PILLAR DECORATION PATTERNS IN KAIYUAN TEMPLE QUANZHOUBASED ON PIERCE'S SEMIOTIC THEORY
原海博 1郑丽敏1
作者信息
- 1. 韩国世宗大学一般大学院;泉州信息工程学院
- 折叠
摘要
本文目的是对泉州开元寺印度教石柱装饰图案进行研究,通过对石柱上图案的形式、轮廓、纹理等要素进行分析和观察,揭示其蕴含的中印文化融合性及符号象征意义.并基于皮尔斯符号学理论方法对图案特性解读,可以深层理解创作背后的本质规律,为后续中印图案融合研究和艺术创作提供了借鉴和启示.调查结果说明,中式特征为主,印度特征为辅的图案,是在其图形融合流入泉州后,更易于让当地人接受的表现形式.研究结论显示,其石柱中体现了中国传统图形元素,是印度教图案中国化的具体体现,具有强烈的地方独特性和中印融合性.这为后续推动图案装饰演变及文化传承研究,丰富图案形式和纹样符号变化特征领域,及探究中印图案融合再创作具有重要的参考意义.
Abstract
The purpose of this article is to study the decorative patterns of Hindu stone pillars in Kaiyuan Temple,Quanzhou.By analyzing and observing the forms,contours,textures,and other elements of the patterns on the pillars,it reveals the fusion of Chinese and Indian culture and the symbolic significance they contain.And based on Pierce's semiotic theory,the interpretation of pattern characteristics can deeply understand the essential laws behind creation,providing reference and inspiration for subsequent research on the integration of Chinese and Indian patterns and artistic creation.The survey results indicate that the pattern with Chinese characteristics as the main feature and Indian characteristics as the auxiliary is a more acceptable form of expression for the local people after its graphic fusion flows into Quanzhou.The research conclusion shows that the stone pillars reflect traditional Chinese graphic elements,which is a concrete manifestation of the sinicization of Hindu patterns,with strong local uniqueness and Sino-Indian integration.This has important reference significance for promoting the evolution of pattern decoration and cultural inheritance research in the future,enriching the field of pattern forms and symbol changes,and exploring the integration and recreation of Chinese and Indian patterns.
关键词
开元寺/印度教石柱/装饰图案/图案融合/皮尔斯符号学Key words
Kaiyuan Temple/Hindu stone pillars/decoration/Pattern fusion/Pierce Semiotics引用本文复制引用
出版年
2024
NETL
NSTL
万方数据