创意与设计2024,Issue(1) :59-68.DOI:10.3969/J.ISSN.1674-4187.2024.01.008

问艺田野——我的田野调查经历

Ask Art in the Field——My Field Investigation Experience

长北
创意与设计2024,Issue(1) :59-68.DOI:10.3969/J.ISSN.1674-4187.2024.01.008

问艺田野——我的田野调查经历

Ask Art in the Field——My Field Investigation Experience

长北1
扫码查看

作者信息

  • 1. 东南大学 艺术学院
  • 折叠

摘要

作者通过对一生中5个时段的田野调查,提出精研经典只是打个底盘,研究艺术史特别是手工艺史必须沟通匠师,理解工艺,寻访实物,以物说话,并以亲身经历认为,田野考察不仅可以集腋成裘为著述提供证据,更可以滋养灵魂,磨砺意志,使自身不知不觉发生脱胎换骨的变化.

Abstract

The author recalls the field surveys of five periods in her life,and proposed that the classics of refined research are just a chassis.Studying the history of art,especially the history of handicrafts,must communicate with craftsmen,understand the craftsmanship,find the real objects,speak with things,and experience it with personal experience.It is believed that field inspections can nourish the soul,change sentiment,hone willpower,and unconsciously transform oneself.

关键词

田野调查/集腋成裘/多重证据

Key words

field investigation/many a little make a mickle/multiple evidence

引用本文复制引用

出版年

2024
创意与设计
江南大学 中国轻工业信息中心

创意与设计

影响因子:0.188
ISSN:1674-4187
段落导航相关论文