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竹之新置——装置艺术视野下竹工艺的再生

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本文探讨了如何通过装置艺术的视角推动竹工艺的传承与创新,以及当代艺术与传统工艺互融互鉴等内容,旨在探讨一个隐含的城乡关系问题:传统竹工艺作为一种濒临消失的乡村手艺,如何通过装置艺术这一现代工业化产物的视角,实现当代社会下的再生与传承,认为通过装置艺术中的"装配"与"放置"的两条创作路径,当代竹工艺可以进行自我更新与再生;与此同时,提出了一个生成机制,即艺术家通过创意和艺术表达能力激发篾匠的技术支持和实践经验,使得两者能够共同探索并重新定义传统竹工艺,为竹工艺再生提供有力支撑.
The New Disposition of Bamboo——A Study on the Regeneration of Bamboo Craft from the Perspective of Installation Art
The paper explores how to promote the inheritance and innovation of bamboo craftsmanship from the perspective of installation art,as well as the integration and mutual learning between contemporary art and traditional craftsmanship.This article aims to explore an implicit urban-rural relationship issue:how traditional bamboo craftsmanship,as a dying rural craft,can achieve regeneration and inheritance in contemporary society through the perspective of installation art,a modern industrial product.The author believes that through the two creative paths of"assembly"and"placement"in installation art,contemporary bamboo craftsmanship can undergo self renewal and regeneration.At the same time,this article proposes a generative mechanism where artists stimulate the technical support and practical experience of bamboo craftsmen through their creativity and artistic expression abilities,enabling them to jointly explore and redefine traditional bamboo craftsmanship,providing strong support for the regeneration of bamboo craftsmanship.

bamboo craftregenerationassembleplacementbamboo installations

曹斌华

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南京艺术学院设计学院

竹工艺 再生 装配 放置 竹装置

国家社会科学基金艺术学重点项目

23AD016

2024

创意与设计
江南大学 中国轻工业信息中心

创意与设计

影响因子:0.188
ISSN:1674-4187
年,卷(期):2024.(2)
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