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平面视象与视觉文化的歧变

The Variation between Flat Vision and Visual Culture

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当代的"平面化"审美方式是视觉附属于文化现象下的表征.文章借助空间艺术中的平面视象经验,从视觉产生的主客体两端,探讨现当代艺术、技术和时代向度背后隐现的文化问题,从而揭示"平面化"基面下的"现象"与"类象"在观看方式、文化心理、技术演进间的互摄与歧变,并试图找寻主体之人与客体之物"间"缓行和深探的落脚点.
The contemporary aesthetic approach of"complanation"is a visual representation affiliated with cultural phenomena.Drawing on the experience of flat visuality in spatial art,this article explores cultural issues latent behind contemporary art,technology,and temporal dimensions,arising from the dual aspects of subject and object in visual perception.It aims to reveal the interplay and variation between"phenomena"and"Simulacra"beneath the surface of"flattening,"in terms of viewing methods,cultural psychology,and technological evolution.Additionally,the article endeavors to find a point of convergence for the gradual exploration and in-depth understanding between the subject and object.

complanationvisual culturetechnologysimulacrasociety

傅春禹

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上海视觉艺术学院 美术学院

平面化 视觉文化 技术 类象 社会

上海市哲学社会科学规划项目

2021ZWY007

2024

创意与设计
江南大学 中国轻工业信息中心

创意与设计

影响因子:0.188
ISSN:1674-4187
年,卷(期):2024.(4)