Interpretation of the Archetypal Evolution of A Qingsao in Sha Jiabang
The archetype of the image of A Qingsao in the modern revolutionary Peking Opera Sha Jiabang and its predecessor in the Shanghai Opera Lutang Fire is Hu Guangxing,the owner of the Donglai teahouse,who changed his gender.Behind the narrative of gender transformation is the repeated contradiction,competition and adaptation between socialist realism and the law of the masses.In fact,new man narratology does not dominate the narrative construction of heroes.The three law of the masses of Jianghu,loyalty and the comedy mechanism of fighting are involved in the deletion and fictionalization of the archetypal characters in Lutang Fire.Sha Jiabang readapts the law of the masses by revolution.The formation of A Qingsao as a classic image provides a rare artistic experience for the heroic narration of socialist literature and art.
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