首页|跨学科视域与跨文类叙事:《哥伦比亚中国文学史》的敦煌文学书写

跨学科视域与跨文类叙事:《哥伦比亚中国文学史》的敦煌文学书写

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自19世纪末,海外汉学家开启了中国文学史的编纂工作,21世纪以来走向成熟和深化。梅维恒主编的《哥伦比亚中国文学史》2001年出版以来,引起了国内外学界的广泛讨论,该书有关敦煌文学书写的问题值得重视。通过阐述选取文献的缘由、撰写的思路以及向文学本位回归的特色,可以提炼出作者书写敦煌文学所采取的研究方法,即跨学科视域和跨文类叙事研究。考察该书的文学史观和文学史方法论,可以为国内的书写实践提供路径参考。中国文学史编纂应该立足中华文化核心价值,参与全球国际对话并构建科学的文学史理论,撰写真正内在于中国文学文化同时又融入世界潮流的文学史著述。
Interdisciptinary Perspective and Gross-Genre Nartive:Writing of Dunhuang Literature in The Columbia History of Chinese Literature
Since the end of the 19th century,overseas sinologists have started to compile books on Chinese literary history,which has matured and deepened since the 21st century.Since the publication of The Columbia History of Chinese Literature edited by Victor H.Mair in 2001,it has aroused extensive discussions in academic circles at home and abroad.The issues related to the writing of Dunhuang literature in this book deserve attention.By elaborating on the reasons for selecting documents,the ideas for writing,and the characteristics of returning to the literary standard,we can extract the research methods adopted by the author in writing Dunhuang literature,that is,interdisciplinary perspective and cross-genre narrative research.The literary history view and literary history methodology adopted in the book can provide a path reference for domestic writing practice.The compilation of Chinese literary history should be based on the core values of Chinese culture by participating in global international dialogue and construct scientific literary history theories so as to write literary history works that are truly intrinsic to Chinese literary culture and integrate into world trends.

The Columbia History of Chinese LiteratureDunhuang literatureVictor H.MairNeil Schmid

李松、杨芷若

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武汉大学当代思想与文化研究中心,湖北武汉 430072

《哥伦比亚中国文学史》 敦煌文学 梅维恒 史密德

国家社会科学基金重大项目

22&ZD258

2024

东方论坛
青岛大学

东方论坛

CHSSCD
影响因子:0.116
ISSN:1005-7110
年,卷(期):2024.(2)
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