首页|明代内府杂剧服装色彩刍议——以《脉望馆钞校本古今杂剧》穿关为研究中心

明代内府杂剧服装色彩刍议——以《脉望馆钞校本古今杂剧》穿关为研究中心

Costume color of royal Zaju in Ming dynasty: Taking costume list from Maiwangguan Collation Version of Ancient and Contemporary Zaju as example

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《脉望馆钞校本古今杂剧》附有搬演穿关记录,是研究明代内府杂剧服装色彩的重要文献.在从曲本撰写到舞台演出的二度创作过程中,剧目所涉脚色的服装色彩,并未完全照搬现实中的色彩制度,而是以正色—间色—杂色的色彩等级为内核,在舞台呈现和演出调度的基础上,构建了一套独立的舞台服装色彩体系.在趋吉避凶的主旨之下,曲本中的白色与紫色在演出中分别被替换为玉色与红色;并在固化人物服色规范的脚色构建中,产生了玉色袍杨景与红袍关羽、青衣俫儿与茶褐直身老儿等典型的舞台人物形象.
Maiwangguan Collation Version of Ancient and Contemporary Zaju, which has the records of costume and prop, is an important document for researching costume color of the royal Zaju in the Ming dynasty. In the second creation process from the script writing to the stage performance, the costume color of the characters did not completely copy the color system of the real society, but took the color grade of main color-intermediate color-mixed color as the core, and built an independent set of stage costume color system on the basis of stage and performance. Under the theme of pursuing good luck and avoiding evil, white and purple in the script were replaced by light blue and red respectively in the performance; in the construction of the character color specifications, typical stage characters such as Yang Jing in light blue robe, Guan Yu in red robe, Laier in indigo dress and Laoer in tea brown straight garment were created.

royal Zajucostume colorrecords of costume and propMing dynasty

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上海戏剧学院 舞台美术系,上海 200040

内府杂剧 服装色彩 穿关 明代

上海市教委科研创新计划冷门绝学项目(2019)

2019-01-07-00-04-E00070

2024

东华大学学报(社会科学版)
东华大学

东华大学学报(社会科学版)

CHSSCD
影响因子:0.336
ISSN:1009-9034
年,卷(期):2024.24(1)
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