首页|牛马不同槽——嘉峪关魏晋墓两幅壁画的现实表达与文化意涵

牛马不同槽——嘉峪关魏晋墓两幅壁画的现实表达与文化意涵

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嘉峪关魏晋墓葬壁画描绘了"牛马不同槽"的现象.结合礼仪艺术与世俗绘卷中的同类图像,揭示了此类现象的现实原因,并指出其进入文化层面后的意涵.先秦哲学从牛马习性出发,抽象出了其间的对立统一关系,很多情境中牛马间的对立还可转化为对应,例如祭祀中的牛马,图像中的牛马合犋犁耕、牧马牧牛、牛车鞍马,宗教语境下的牛头马面等."牛马不同槽"从民间俗语到文献与图像的表达,反映了古代艺术与生活的密切关系.
Different Troughs for Cattle and Horses——On the Realistic Expression and Cultural Significance of Two Murals from the Wei-Jin Tombs in Jiayuguan
The Wei-Jin tomb murals in Jiayuguan depict a scene of"different troughs for cattle and horses."This paper combines similar images from secular paintings and ritual art to reveal the practical motivations behind this practice,and to point out its cultural implications.At the very beginning,the ancient philosophy of pre-Qin China abstracted the concept of a unity existing between pairs of opposites by observing the habits of cattle and horses.In many situations,the opposition between cattle and horses was transformed into a relationship of correspondence,as in the practice of sacrificing cattle and horses during rituals,using cattle and horses to plow the same field,herding cattle and horses together,and illustrations of ox carts and driven horses.Ancient religious art even contained a pair of mythological soldiers that expressed this unity,one with the head of an ox,the other with the face of a horse.The expression,"different troughs for cattle and horses,"which can be found in ancient folk sayings,illustrations and documents,reflects the close relationship that existed in ancient times between art and life.

different troughs for cattle and horsesJiayuguan tomb muralsox carts and driven horsesox-head and horse-face

魏文斌、黄婷婷

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兰州大学 考古学及博物馆学研究所,甘肃 兰州 730020

兰州大学 敦煌学研究所,甘肃 兰州 730020

牛马不同槽 嘉峪关墓葬壁画 牛车鞍马 牛头马面

国家社会科学基金新疆历史问题专项

23VXJ014

2024

敦煌研究
敦煌研究院

敦煌研究

CSTPCDCSSCICHSSCD北大核心
影响因子:0.266
ISSN:1000-4106
年,卷(期):2024.(1)
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