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龙廷金苗画艺术及创新应用研究

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湘西苗画发祥于湖南省花垣县,自清末脱胎于苗绣的锉本,逐渐独立成为一门民间装饰性绘画艺术.它既有文化传承和装饰性作用,也有为苗绣和苗族银饰等提供样稿的用途,是苗族审美文化传承的重要载体和资源库,包含苗族的审美理念、价值观和世界观.苗画图案具有内容丰富、内涵深厚,种类样式和表现风格多样化的特征.本文基于实地调研,就龙廷金苗画艺术图案的独特性和文化内涵等进行较深入的研究,结合高校非遗课程开发和探索,在苗画艺术的传承和创新应用方面进行实践探索.同时,也为湘西土司建筑装饰艺术图案的横向比较研究奠定基础.
Research on the Art and Innovative Application of Longtingjin Miao Painting
This article is based on the in-depth field research on the uniqueness and cultural connotations of the well-known artistic patterns of Longting Jinmiao painting which was originated in Hunan province by the Miao people during the Qing Dynasty.Corresponding to the development and exploration of intangible cultural heritage courses in universities,practical exploration is carried out in the inheritance and innovative application of this Miao painting art.At the same time,it lays the foundation for the horizontal comparative study of decorative art patterns in the architecture of Xiangxi Tusi.

Xiangxi miao paintinglongtingjinMiao painting patterninheritance of intangible cultural heritage

丁超、王悦

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吉首大学师范学院,湖南吉首 416000

湘西苗画 龙廷金 苗画图案 非遗传承

2024

大连大学学报
大连大学

大连大学学报

影响因子:0.48
ISSN:1008-2395
年,卷(期):2024.45(6)