非物质文化遗产呈现的空间叙事与日常生活的"真实性"——一项基于人、物与技术革命的博物馆人类学研究
Spatial Narratives of Intangible Cultural Heritage Presentation and Authenticity of Everyday Life:An Anthropological Study of Museums Based on People,Objects and Technological Revolution
刘朝晖 1王星星1
作者信息
- 1. 浙江大学非物质文化遗产研究中心 浙江杭州 310030
- 折叠
摘要
与博物馆展示"物的叙事"范式不同的是,非遗馆的展示要重构"人/物并置"的空间叙事,呈现具有"灵韵"的日常生活的文化表征空间.人/物并置的空间叙事旨在通过表征空间再生产,把非遗的个体叙事和集体叙事融合于非遗展览展示的物理空间;同时,又走出非遗馆,在更大的社会空间里,通过人、物和新技术的链接,再现日常生活的多重真实性,包括通过推动场馆的社区化融合,呈现非遗的空间真实性;以社区/群体/个人(CGIs)互嵌的参与式策展,把握非遗的主体真实性;打造展示与体验合一的模式,体现非遗的过程真实性;以及汲取现当代艺术的批判意识,获得非遗的超验真实性.
Abstract
Unlike the conventional approach of"object-based narrative"in museum exhibitions,the presentation of intangible cultural heritage(ICH)should focus on the construction of a spatial narrative that highlights both people and objects and create a representational space of everyday life with cultural aura.This new approach recreates the representational space by integrating individual and collective narratives in-to the physical exhibition space.Meanwhile,it extends beyond the museum site into a broader social space by linking people,objects,and new technologies and represents the multifaceted authenticity of everyday life.This includes promoting the integration of museums and communities to present spatial authenticity,us-ing participatory curation with communities/groups/individuals(CGIs)embedded in each other to grasp sub-ject authenticity,creating an integrated model of display and experience to reflect process authenticity,and drawing on the critical consciousness of modern contemporary art to obtain transcendental authenticity.
关键词
非物质文化遗产/空间叙事/日常生活呈现/社区/群体/个人(CGIs)/表征空间/博物馆人类学Key words
intangible cultural heritage/spatial narrative/presentation of everyday life/community/group/individuals(CGIs)/representational spaces/museum anthropology引用本文复制引用
出版年
2024
NETL
NSTL
万方数据