虚拟叙事与空间生产:一种迭代式敦煌艺术展的物像再现
Virtual Narrative and Spatial Production:The Reproduction of Objects and Contexts in Iterative Exhibitions of Dunhuang Art
吴若明1
作者信息
摘要
随着数字人文技术的发展,敦煌及其他地区的文博机构通过现实和虚拟的物境组合陆续举办了敦煌艺术主题展,展览形式包括敦煌地区的原境实物展览、敦煌以外地区的数字虚拟场景展和虚境实物展.这些敦煌艺术主题展览探讨了敦煌艺术及其物像再现中的虚拟叙事、空间生产和空间实践等问题.相同主题展览容易出现同质化问题,而迭代式展览是基于相同主题围绕成功的作品在不同场馆衍生出新展览.基于此,博物馆展览应创新叙事体系,重组文化元素,构建迭代式展陈方式,形成多元化展览,从而增强展览的多维架构和社会影响力.
Abstract
In addition to the exhibitions held at the sites in Dunhuang featuring authentic objects,the advancement of digital technologies has enabled the creation of Dunhuang-themed exhibitions outside the region.These are presented through either fully virtual exhibitions or hybrid formats combining virtual set-tings and authentic objects.A common challenge with exhibitions sharing the same theme is homogenization.Iterative exhibitions,which evolve from previously successful shows on the same theme,provide a solution.The iterative exhibitions held outside of Dunhuang explore virtual narratives,spatial production,and spatial practices in representing Dunhuang art.When showcasing a culture away from its original locale,adhering to its core values is crucial.Building upon these values,developing iterative exhibitions through innovative nar-ratives and reorganized cultural elements not only diversifies the exhibition landscape but also amplifies its social impact.
关键词
虚拟叙事/空间生产/迭代式展览/敦煌艺术展/数字化虚拟空间Key words
virtual narrative/spatial production/iterative exhibition/Dunhuang art exhibition/digital virtual space引用本文复制引用
基金项目
国家社会科学基金重大项目(21&ZD327)
出版年
2024
NETL
NSTL
万方数据