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意义视角下博物馆展览传播的语境、策略与效果

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展览是博物馆服务社会的重要媒介.伴随传播理念的转变,博物馆展览从前期策划到向公众开放的过程可以理解为意义建构、协商与共享的过程.对意义的关注启发博物馆重视展览传播的背景条件,制度、学术和时代语境既指明了展览的发展方向又形成了客观限制.展览目标的转换、评估的前置、多元的阐释以及多维度宣传是展览传播在意义建构阶段的关键策略.通过协商与交换,博物馆和观众可能从认知建构、社会互动、身心愉悦、共鸣内省四个维度实现意义的共享.基于以上博物馆与观众互动的具体过程,可完善展览的意义传播模型,促进博物馆的有效传播.
Context,Strategies,and Effects of Museum Exhibition Communication from the Perspective of Meaning
Exhibition is an important medium for museums to serve the society. With the shift in the concept of communication,the process of museum exhibitions from initial planning to opening to the public can be understood as a process of meaning making,negotiating,and sharing. Attention to meaning inspires museums to focus on the context of exhibition communication,where institutional,academic,and contempo-rary contexts guide exhibition development and impose constraints. Key strategies in the meaning making phase include:goal transformation,pre-assessment,diverse interpretation,and multi-channel promotion. Through negation and exchanges,museums and audiences may share meanings from four dimensions:cogni-tive construction,social interaction,physical and mental enjoyment,pleasure,and resonant reflection. Based on these interactions between museums and audiences,the model of exhibition meaning communication can be refined to facilitate effective communication in museum.

exhibition curationexhibition communicationmeaning communicationinformation communicationmeaning makingcommunication model

穆祉潼、魏峻

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复旦大学文物与博物馆学系 上海 200433

展览策划 展览传播 意义传播 信息传播 意义建构 传播模型

2024

东南文化
南京博物院

东南文化

CSTPCDCSSCICHSSCD北大核心
影响因子:0.405
ISSN:1001-179X
年,卷(期):2024.(4)