论方士庶《白鹿泉图》的创作特点及绘画风格
Exploring the Creative Traits and Artistic Style of Fang Shishu's White Deer Spring Scroll
陈雨菲1
作者信息
摘要
方士庶是清前期活跃于扬州地区的著名山水画家,他的创作受清初"四王"正统山水影响颇深,以摹古风格为主.其晚年的纪游山水《白鹿泉图》描绘了南京栖霞山的深秋景致,画中融合了写实与摹古写意,反映了画家对于"四王"画风的反思,同时也为栖霞山的景观变迁和方士庶对沈周山水画艺术风格的追摹提供了重要案例.
Abstract
Fang Shishu,a distinguished landscape painter,was notably active in the Yangzhou region during the early Qing dynasty.His artistic creations were deeply influenced by the early Qing'Four Wangs'with a primary focus on reviving ancient styles.His later work,White Deer Spring Scroll,depicts the autum-nal landscape of Qixia Mountain in Nanjing,blending realism with traditional freehand techniques.This painting not only reflects Fang's critical engagement with the'Four Wangs'painting style but also provides a crucial case study of the evolving landscapes of Qixia Mountain and Fang's emulation of Shen Zhou's ar-tistic techniques.
关键词
方士庶/山水画/栖霞山/《白鹿泉图》/沈周Key words
Fang Shishu/landscape painting/Qixia Mountain/White Deer Spring Scroll/Shen Zhou引用本文复制引用
出版年
2024
NETL
NSTL
万方数据