电影艺术2024,Issue(2) :68-74.

隐喻、工具与符号:中国电影残障再现的三种方式

Metaphors,Tools,and Symbols:Three Ways of Representing Disability in Chinese Film

滕小娟
电影艺术2024,Issue(2) :68-74.

隐喻、工具与符号:中国电影残障再现的三种方式

Metaphors,Tools,and Symbols:Three Ways of Representing Disability in Chinese Film

滕小娟1
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作者信息

  • 1. 南京师范大学文学院
  • 折叠

摘要

电影残障研究关注电影再现中残障群体的形象编码与叙事逻辑,审视残障表征的传统表述与身份生产的复杂性.作为一种重要的视觉意象,残障在电影银幕上出现的频率、形式与意图,既折射出社会文化对残障的认知,又不断影响广大受众对残障群体的理解和接受.银幕上的残障具有丰富的意蕴,电影首先借由"残疾的身体"这一物质载体作为主题观念的隐喻;其次将其作为重要的叙事工具,开启并保证故事的行进;最后使其参与视觉奇观的制造,成为电影景观的组成部分.

Abstract

Film Disability Studies focus on the image-coding and narrative logic of disabled groups in film representation,exploring the complexity of traditional representations of disability and the production of identities.As an important visual image,the frequency,form and intention of the disabled on the film screen not only reflects the social and cultural perception of disability,but also constantly updates and influences the understanding and acceptance of disability by the audience.Disability on the screen has rich and abundant meanings,firstly,the film uses the"disabled body"as a metaphor for the theme concept;secondly,as an important narrative tool,it opens and ensures the progress of the story.Finally,they participate in the creation of visual spectacle and become an integral part of the cinematic landscape.

关键词

残障/隐喻/叙事/符号/消费

Key words

disability/metaphor/narrative/symbol/consume

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基金项目

江苏省"双创计划"人才项目(2021)(JSSCBS20210325)

江苏省高等学校哲学社会科学研究一般项目(2022)(2022SJYB0245)

出版年

2024
电影艺术
中国电影家协会

电影艺术

CSTPCDCSSCICHSSCD北大核心
影响因子:0.411
ISSN:0257-0181
参考文献量24
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