电影艺术2024,Issue(2) :75-81.

当下世界电影史主流写作框架的适用性辨析

Applicability Analysis of the Mainstream Writing Framework of the Current World Cinema History

周达祎
电影艺术2024,Issue(2) :75-81.

当下世界电影史主流写作框架的适用性辨析

Applicability Analysis of the Mainstream Writing Framework of the Current World Cinema History

周达祎1
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作者信息

  • 1. 北京师范大学艺术与传媒学院
  • 折叠

摘要

在当下的世界电影史写作中,各种研究框架不断涌现,同样也存在亟待厘清的概念误用现象."民族电影/国别电影"体现了反好莱坞中心主义的多元视野,但无法解决电影史研究中的"跨国性"问题."少数电影/小国电影"可以有效描绘"后冷战-全球化"时期弱势国家的电影境况,但"小国"概念需要被严格界定."世界电影/全球电影"虽然被指忽略了帝国主义在国际贸易中对殖民地的压迫,但更具理论的包容性和开放性.

Abstract

In the current world film history writing,a variety of research frameworks are emerging,and there are also some phenomena of conceptual misuse that need to be clarified."National cinema/country cinema"reflects the pluralistic vision of anti-Hollywood-centrism,but it cannot solve the"transnational"problem in the study of cinema history."Minor cinema/small-nation cinema"can effectively describe the situation of cinema in weak countries in the era of post-Cold War-globalization,but the concept of"small nation"needs to be strictly defined."World cinema/global cinema",while allegedly ignoring the imperialist oppression of colonies in international trade,is academically more inclusive and open.

关键词

世界电影史/全球电影/世界电影/小国电影/民族电影

Key words

history of world cinema/global cinema/world cinema/small-nation cinema/national cinema

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出版年

2024
电影艺术
中国电影家协会

电影艺术

CSTPCDCSSCICHSSCD北大核心
影响因子:0.411
ISSN:0257-0181
参考文献量22
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