由"气"及影:论中国电影的影像建构与民族美学
From Qi to Film:On the Image Construction and National Aesthetics of Chinese Film
王海洲 1马翱2
作者信息
- 1. 北京电影学院
- 2. 北京电影学院中国电影文化研究院
- 折叠
摘要
中国哲学用感性体悟的思维方式论"气",开拓出其有别于西方气论的精神向度,即自然、身体和生命.视"气"为影像主体,用传统气论的差异意涵观照中国电影,可以窥见后者多元化的影像建构.其主要表现为自然之气与知觉影像、以气论身与身体影像、生命之气与意境影像.由"气"进入中国电影,既能明晰影像建构的迥异样态,又可以洞见中国电影内蕴的民族美学,有助于理清中国电影承继传统民族文化的实践路径与文化效力.
Abstract
Chinese philosophy deals with Qi in a perceptual and empathetic way of thinking,and has developed its own spiritual direction,which is different from the Western Qi theory,namely,nature,body,and life.By taking Qi as the subject of the image and using the different connotations of the traditional Qi theory to look at Chinese film,we can get a glimpse of the latter's diversified image construction.This is mainly manifested as the Qi of nature and perceptual images,the Qi of the body and physical images,and the Qi of life and imagery images.Entering Chinese film through Qi not only clarifies the different patterns of image construction but also provides an insight into the national aesthetics inherent in Chinese film,helping to clarify the practical path and cultural effectiveness of Chinese film's inheritance of traditional national culture.
关键词
"气"/中国电影/影像建构/民族美学Key words
Qi/Chinese film/image construction/national aesthetics引用本文复制引用
基金项目
2020年度国家社科基金艺术学重大项目(20ZD18)
出版年
2024
NETL
NSTL
万方数据