《九龙城寨之围城》:香港动作电影的复归与演进——郑保瑞访谈
The Returning of Evolution of Hong Kong Action Movies:An Interview with Soi Cheang,Director of Twilight of the Warriors:Walled in
郑保瑞 贾磊磊 1王韩彬2
作者信息
- 1. 中国艺术研究院;海口经济学院南海艺术与院;上海大学电影学院《电影理论研究》杂志
- 2. 中国艺术研究院影视学系
- 折叠
摘要
《九龙城寨之围城》改编自余儿原著热血格斗小说《九龙城寨》,并入围第77届戛纳国际电影节"午夜展映"单元,呈现出香港动作类型电影的强势复归姿态.影片在延续昔日港片硬桥硬马、写实武打的基础上按照港产漫画的夸张风格砥砺突进,将香港历史曾出现的"三不管"地带描绘出浓郁的"市井味".银幕内讲述城寨四少的代际情义传承与银幕外导演努力把机会留给年轻人的行为相呼应,在实现导演个人风格演进的同时,也为香港动作电影带来破局的可能.
Abstract
Twilight of the Warriors:Walled In is adapted from Yu Er's original hot-blooded fighting novel Kowloon Walled City,and was selected for Midnight Screenings of the 77th Cannes International Film Festival,presenting a strong comeback of Hong Kong's action movie genre.The film is based on the hard-hitting,realistic martial arts of Hong Kong films of the past.It follows the exaggerated style of Hong Kong comics,depicting the"unregulated"areas of Hong Kong's history with a strong"urban flavor".The intergenerational love heritage of the four young men in the Kowloon Walled City is echoed by the director's efforts to leave opportunities to the young people outside the screen.While realizing the evolution of the director's style,also brings a breakthrough for Hong Kong's action movies.
关键词
动作类型电影/九龙城寨/漫画风格/传统武打/贫民窟Key words
action movie/Kowloon Walled City/comic book style/traditional martial arts/slums引用本文复制引用
出版年
2024
NETL
NSTL
万方数据