电影艺术2024,Issue(5) :35-43.

Sora与时间第三综合

Sora and the Third Synthesis of Time

谢周浦
电影艺术2024,Issue(5) :35-43.

Sora与时间第三综合

Sora and the Third Synthesis of Time

谢周浦1
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作者信息

  • 1. 重庆师范大学新闻与传媒学院
  • 折叠

摘要

Sora的技术实践为时间第三综合提出了新阐释,它将切实呈现继"运动—影像"与"时间—影像"之后的第三种影像.Sora的Transformer架构依靠注意力机制,形成德勒兹意义上的"缩合力",将时间第一综合以运动—影像的形式呈现出来;Sora的扩散机制将视角引向模型深处的"潜在空间",它对应着作为记忆本体的"纯粹过去",此时第二综合以时间—影像的形式呈现;通过分析Sora最深处的维度转换循环,我们得以描述时间第三综合的影像形式与效果.

Abstract

Sora's technical practice offers a new interpretation for the Third Synthesis of Time,presenting a third form of image subsequent to the"movement-image"and the"time-image".Utilizing the attention mechanism in its Transformer architecture,Sora forms what Deleuze terms"power of contraction",presenting the first synthesis of time in the form of the movement-image.Sora's Diffusion mechanism shifts the focus to the"latent space"deep within the model,corresponding to the"pure past"as the ontological foundation of memory,where the second synthesis manifests as the time-image.Finally,by analyzing the dimensional transformation cycles at the deepest level of Sora,we can describe the form and effects of the Third Synthesis of Time.

关键词

人工智能/注意力/潜在空间/纯粹过去/虚拟

Key words

artificial intelligence/attention/latent space/pure past/virtual

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出版年

2024
电影艺术
中国电影家协会

电影艺术

CSTPCDCSSCICHSSCD北大核心
影响因子:0.411
ISSN:0257-0181
参考文献量2
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