After the Islamic Revolution in Iran,cinema has gone through a process of"purification"through"Islamization",and the veil has become an important perspective for understanding the national subjective consciousness and religious philosophical spirit of post-revolutionary Iranian cinema.The theoretical expansion of the"aesthetics of the veil"means going beyond the single dimension of"veil marks women"and placing the perspective on the ontology and aesthetics of cinema as a whole.By analyzing the paths of art history and formal aesthetics,it is possible to discover the visual experience and divine nature of veiled viewing,as well as the modernity and confrontation of the grammar of'veiled"creation:the modern allegory of the"Islamized"imaginary world and the visual logic of mainstream Western cinema.and the confrontation between the modern allegory of the"Islamicized"imaginary world and the visual logic of mainstream Western cinema.
关键词
伊朗电影/面纱/谦逊守则/视觉文化/电影语法
Key words
Iranian cinema/veil/code of modesty/visual culture/cinematic grammar
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