从"致病"到"救人"的女性解放叙事:人类学视野中的《摩雅傣》
Narrating Women's Liberation from"Sufferer"to"Rescuer":An Anthropological Analysis of the Film Moya Dai
王瑞静1
作者信息
- 1. 重庆大学共和国研究中心,重庆 400044;重庆大学人文社会科学高等研究院,重庆 400044
- 折叠
摘要
本文梳理了少数民族题材电影《摩雅傣》的创作过程及叙事主题,聚焦故事主线中所呈现的两大少数民族的风俗习惯,结合相关历史资料和人类学研究成果,在对比分析中探究影片对少数民族风俗习惯的取舍、调整和重构等艺术加工方式,以此讨论电影的叙事重点和表达内涵.傣族"琵琶鬼"习俗和僾尼族"鬼胎"习俗串联起女主人公依莱汗的苦难和新生,破除这些习俗体现了中国共产党革除有害风俗习惯的民族政策,也体现了对进步、科学和文明的追求.
Abstract
This research analyzes the narrative theme and characteristics of the above film in the light of its producing process and histor-ical background.The film is narrated through two significant ethnic customs that have received much academic attention.By drawing on historical materials on ethnic work in the 1950s and anthropological studies,the research discusses the narrative emphasis in the film in terms of selecting,adjusting and reconstructing elements of these two ethnic customs into one story.The Dai custom of"Pipa Gui"causes suffering to Yilaihan while her abolishing of the Aini custom of"ghost birth"leads more women to new life.The film represents the eth-nic policies to abolish harmful ethnic customs and the pursuit of pogress,science and civilization.
关键词
《摩雅傣》/"琵琶鬼"/"鬼胎"/女性解放/少数民族题材电影Key words
Moya Dai/"Pipa Gui"/ghost birth/women's liberation/ethnic minority film引用本文复制引用
基金项目
中央高校基本科研业务费专项重庆大学项目(2020CDJSK47YJ02)
出版年
2024
NETL
NSTL
万方数据