20世纪30年代左翼科学小品创作再考察
Review of the creation of left-wing"Science Essays"in the 1930s
常莉1
作者信息
摘要
20世纪30年代,科学小品作为文学与科学相互渗透的一种特殊文体应运而生,它是科学化、大众化、革命化三者交汇的产物,可视为左翼知识分子在城市文化斗争中的一次创新性尝试.在创作动机上,科学小品反映了左翼知识分子主体意识的转变,即从"化大众"到"大众化";在创作风格上,科学小品既有嬉笑怒骂的讽刺,又有辩证唯物的剖析,深化了左翼作品创作的内容和手段;在价值归宿上,科学小品将视角从日常琐碎转向社会整体,巧妙地将个人的生存斗争转喻为宏大的社会革命.总的来讲,科学小品成功地将科学与革命的主题结合起来,成为新民主主义革命话语体系中的一个独特缩影.
Abstract
In the 1930s,scientific essays emerged as a unique literary genre where science and literature permeated each other.It was a product of the convergence of scientification,popularization and revolution,representing an innovative attempt by left-wing intellectuals in urban cultural struggles.Firstly,in terms of creative motivation,scientific essays reflected a shift in the subjective consciousness of left-wing intellectuals,transitioning from"popularizing"to"popularization".Secondly,in terms of writing style,scientific essays incorporated both satirical humor and dialectical materialist analysis,deepening the content and means of left-wing works.Finally,in terms of value orientation,scientific essays shifted their focus from everyday trivialities to the overall society,cleverly"metaphorizing"personal struggles for survival into grand social revolutions.In summary,scientific essays successfully combined the themes of science and revolution,becoming a unique epitome within the discourse system of the New Democratic Revolution.
关键词
科学/革命/左翼/日常/大众化Key words
science/revolution/left wing/daily life/popularization引用本文复制引用
基金项目
教育部人文社会科学研究青年基金(22YJC710003)
广东省社会科学基金规划项目(GD21YMK02)
出版年
2024
NETL
NSTL
万方数据