首页|乡村的诗性回望及其审美世界的构建——以汪曾祺的创作为例

乡村的诗性回望及其审美世界的构建——以汪曾祺的创作为例

扫码查看
中国作家笔下的乡村始终呈现出植根于中国传统文化形态的"桃源"想象。自"五四"以降,作家们对乡村的诗性回望往往表现为"向后看"的乌托邦想象。对乡土的依恋与怀念以及由此产生的"怀乡病"成为构建其审美乌托邦的基础。新时期以来,汪曾祺的创作具有典型意义。他以高邮构建乡村审美乌托邦,不断回望故乡中的人事与风情,作品洋溢着浓郁的"向后看"的格调。同时,其文体意识、语言风格、思想意蕴不仅达成了当下对文学创作的"再启蒙",也无形中成为当代乡村想象与审美构建的助推剂。
The Construction of Aesthetic Utopia in the Countryside:Taking Wang Zeng-qi's Creation as an Example
The countryside in Chinese literature has always been envisioned as the"Peach Garden,"a concept deeply rooted in traditional Chinese culture.Since the May Fourth Movement,writers'poetic reflections on the countryside often embody a Utopian imagination of"looking backward."The attachment to and nostalgia for rural life,along with the ensuing"homesickness,"have formed the foundation for creating their aesthetic Utopias.In the modern era,Wang Zeng-qi's works hold particular significance.He used Gaoyou to construct an aesthetic Utopia in the countryside,continually reflecting on the people and customs of his hometown,imbuing his work with a strong sense of retrospection.Simultaneously,his stylistic awareness,linguistic style,and ideological implications not only contribute to the"re-enlightenment"of contemporary literary creation but also lay the groundwork for the contemporary construction of rural imagination and aesthetic Utopias.

rural narrativeUtopiaaestheticWang Zeng-qi

孙琦、孟博然

展开 >

黑龙江大学,黑龙江哈尔滨,150000

黑龙江开放大学,黑龙江哈尔滨,150000

乡村叙事 乌托邦 审美 汪曾祺

黑龙江大学研究生创新项目省教育厅教改项目国家社科基金一般项目

YJSCX2022-009HLJUSJGY2022067922BZW165

2024

广东开放大学学报
广东广播电视大学 广东理工职业学院

广东开放大学学报

CHSSCD
影响因子:0.226
ISSN:1008-9764
年,卷(期):2024.33(3)
  • 1