When Body-Perception Grows Deeper,It Quietly Penetrates Dreams Shadows and Wind——Jon Fosse's Plays from the Perspective of the Theory of Self-Examination and Sympathization
The success of Jon Fosse's dramatic creation,seemingly coincidental,is actually closely related to his strict and profound self-examination,and unfamiliar novel sympathization,while the fusion of self-examination and sympathization has always helped to create classic works.With strict self-examination,Fosse faces the weaknesses of human nature,listens attentively to a lot of information in the depths of people's hearts in silence,and then implies the deep voice and the mysterious subtle information in a new and unique form.It forms a new type of minimalist drama,which is highly poetic and musical,speaking unspeakable with a large number of quiet fields,inquiring the divine message with Gnostic narration,and uses the reverse sympathization of cyclic rhythm.Moreover,compared with Ibsen,Chekhov,Beckett,Pinter,Handke,and others,Fosse's dramatic form has a great deal of novelty;because of the novelty,it can resonate with more people.Furthermore,Jon Fosse's success shows that if a writer can combine the"deep and wide self-examination"with the"novel and unique sympathization"well,it is possible for him or her to create great works.
Jon Fossetheory of self-examination and sympathizationmultiple self-examinationnovelty sympathization
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