摘要
约翰·济慈的诗论"消极的能力""诗人无自我"和"变色龙诗人"充分体现了道家"道法自然"的思想."道法自然"在济慈整个诗歌创作过程中形成一个从理论基础到创作实践,从主要内容到主题意境的无所不包的闭环.以道家"道法自然"思想、济慈诗论和济慈三大颂歌为基础,通过对照阅读《秋颂》《夜莺颂》和《希腊古瓮颂》,深入探讨济慈诗歌理论、诗歌创作及诗歌作品中体现的"道法自然"思想."三颂"中济慈通过秋天、夜莺和古瓮对"道法自然"思想进行了别出心裁的阐发,达到了"景外有景,象外有象"的"道"的境界.
Abstract
John Keats's poetical theories,such as"negative capability","the poet has no self"and"the camelion poet"fully embody"the Dao patterning itself on what is natural"of Laozi."The Dao patterning itself on what is natural"is not only the theoretical basis of Keats's poetry,but also the main content and supreme artistic state of his poetry."The Dao patterning itself on what is natural"forms an all-encompassing closed loop from the theoretical basis to the creation practice,from the main content to the artistic state throughout Keats's poetry creation process.Based on the core ideas of Daoist"the Dao patterning itself on what is natural"and Keats's poetic theories and the"Three Odes",this paper attempts to explore in depth the idea of"the Dao patterning itself on what is natural"embodied in Keats'poetic theories,poetic creation and poetic works through cross-reading of Ode to Autumn,Ode to a Nightingale and Ode on a Grecian Urn.In the"Three Odes",Keats made a unique interpretation of the universal operation law of"the Dao patterning itself on what is natural"by the autumn,a nightingale and an ancient urn,and reached the realm of"Dao"of"there being a scene beyond the scene,there being an image beyond the image".
基金项目
国家社会科学基金专项(2021VMZ018)
江苏省高等学校哲学社会科学研究项目(2022SJYB2404)
万方数据