中国式公共艺术与羊磴"土而奇"乡村艺术博览会
Public Art with Chinese Characteristics:"Vulgar Serendipity"Yangdeng Rural Art Festival
焦兴涛1
作者信息
摘要
本文基于中国特色社会主义语境下的社会公共关系的辨析和认知,讨论了公共艺术的政治性底色,以及与传统文化之间的联系.提出了"中国式公共艺术"的三个面向,以及与之相应的社会"美育"、公共"参与"和自发"出演"三个特征,指出中国式公共艺术是三种形态博弈、交织、融合和妥协的结果,并重点讨论了作为第三种形态的"羊磴艺术协会"的运行机制和"土而奇"乡村艺博会项目.
Abstract
Based on the analysis and cognition of social and public relations in the context of socialism with Chinese characteristics,this paper discusses the political background of public art and the connection between public art and traditional culture.It puts forward the three aspects of"Chinese-style public art",as well as the corresponding three characteristics of social"aesthetic education",public"participation"and spontaneous"performance".It points out that Chinese-style public art is the result of rivalry,interweaving,integration and compromise between three forms.The operation mechanism of the"Yangdeng Art Association"is an example of the third form and the"Vulgar Serendipity"rural art fair project serves as the highlight of the paper.
关键词
中国式公共艺术/"土而奇"乡村艺术博览会/羊磴艺术合作社/乡村振兴Key words
Chinese-style public art/"Vulgar Serendipity"Rural Art Fair/Yangdeng Art Cooperative/rural revitalization引用本文复制引用
出版年
2024
NETL
NSTL
万方数据