公共艺术2024,Issue(2) :91-99.

"大地艺术节"中国实践的当下思考

Reflections on the Chinese Practice of the"Art Field"

孙倩 何海洋
公共艺术2024,Issue(2) :91-99.

"大地艺术节"中国实践的当下思考

Reflections on the Chinese Practice of the"Art Field"

孙倩 1何海洋2
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作者信息

  • 1. 瀚和文化
  • 2. 大地艺术节中国项目团队;瀚和文化
  • 折叠

摘要

本文基于"大地艺术节"在中国的具体实践与思考,阐述了其作为文化主导的系统工程,旨在通过文化艺术带动地域尤其是乡村振兴.通过梳理大地艺术节的概念、起源、特点及其在中国的发展特性,本文提出了"艺术创生"工作体系和"场域策展"工作方法,强调了"在现场"的重要性.同时,详细分析了大地艺术节的在地性、全域性和可持续发展性三个基本要素,并以"艺术在樵山——广东南海大地艺术节2022"为例,具体说明了艺术节的工作模型和实施步骤,探讨了大地艺术节在中国发展的可能性,强调了其在文化乡建领域的重要性,并呼吁更多群体性和标准性的共识形成.

Abstract

Based on the specific practice and thinking of the"Art Field"(which is inspired by the exhibition concept and model of Echigo-Tsumari Art Triennial)in China,this paper expounds it as a culture-oriented system engineering,aiming to promote through culture and art the revitalization of the regions,especially the rural ones.By combining the concept,origin,characteristics of the Echigo-Tsumari Art Triennial and the particular features of development in China,this paper proposes a working system of"art creation"and a working method of"site curation",emphasizing the importance of"being site-specific".At the same time,the three basic elements of the Echigo-Tsumari Art Triennial including locality,regionality and sustainability are analyzed in detail,and the working model and implementation steps of an art festival are specifically explained by taking"Art Field Nanhai Guangdong 2022"as an example.This paper explores the possibility of the development of the"Art Field"in China,emphasizes its importance in the field of cultural rural construction,and calls for the formation of more collective and standard consensus.

关键词

大地艺术节/乡村振兴/艺术创生/场域策展

Key words

Art Field/Rural Revitalization/Art Creation/Site Curation

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出版年

2024
公共艺术

公共艺术

ISSN:
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