首页|北京先农坛建筑彩画颜料的光谱学研究

北京先农坛建筑彩画颜料的光谱学研究

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北京先农坛是明清时期皇家祭祀建筑的重要历史遗迹,是中华民族传统重农思想的传播载体,见证着中华文化源远流长.在自然和人为因素的长期影响下,先农坛建筑彩画出现了烟熏、剥落等多种病害,亟待保护.为了获取先农坛建筑彩画中的物质成分信息以支撑彩画的保护修复工作,应用便携式拉曼光谱仪、便携式X射线荧光(XRF)对先农坛具服殿中三幅具有代表性的建筑彩画进行无损分析,结合显微拉曼光谱、扫描电镜-能谱(SEM-EDS)、X射线衍射(XRD)等方法对残片的分析,成功获得了绘制彩画所用颜料的主要成分.结果表明,三幅彩画的打底材料均含有碳酸钙,金龙图案表面有金箔留存.此外,在原始彩画中使用了朱砂、铅丹、铅白、氯铜矿和靛蓝等颜料;修复彩画中除上述朱砂、铅丹、铅白外,在金龙图案区域检测到了铅丹和雌黄的混用,且所用蓝色和绿色颜料分别为群青和巴黎绿,这与原始彩画中所使用的颜料不同;在重绘彩画中鉴别出多种近代合成颜料,如钛白、铬黄、苏丹红Ⅰ、酞菁绿、群青、亮红色β-萘酚等.根据颜料的使用情况结合史料记载,确定了三幅彩画的绘制时期分别为1754年、1860年以及1997年左右.由于缺乏对原始彩画中所用颜料的了解,导致后期修复的彩画所用颜料与原始彩画不同.该研究不仅有助于建筑彩画保存历史的判断,更为彩画的保护提供了可靠依据,对后续的保护和修复工作具有重要的指导意义.
Spectroscopic Study on the Pigments of the Architectural Colored Paintings of the Altar of Agriculture in Beijing
The Altar of Agriculture in Beijing is an important historical site of the royal sacrificial buildings in the Ming and Qing Dynasties.It is the carrier of the traditional Chinese thoughts of emphasizing agriculture,which bears witness to the long history of Chinese culture.Under the long-term influence of natural and human factors,various diseases such as smoke and peeling have appeared in the architectural color paintings of the Altar of Agriculture,which need to be protected urgently.In order to obtain the material composition information in the architectural colored paintings of the Altar of Agriculture to support the protection and restoration of the colored paintings,portable Raman spectrometer and a portable X-ray fluorescence(XRF)were used to conduct a non-destructive analysis of three representative architectural colored paintings in the Precious Clothing Hall of the Altar of Agriculture.A fragment was analyzed by combining micro Raman spectroscopy,scanning electron microscopy-energy dispersive spectroscopy(SEM-EDS),X-ray diffraction(XRD)and other methods,the main components of pigments used in colored paintings were successfully obtained.The results showed that the priming coat material of the three paintings all contained calcium carbonate,and gold foil remained on the surface of the gold dragon pattern.In addition,cinnabar,red lead,lead white,atacmite,and indigo were used in the original colored paintings.In addition to the above cinnabar,red lead and lead white,the mixed use of red lead and orpiment was detected in the areas of the golden dragon pattern,and the blue and green pigments were ultramarine and Emerald green respectively,which were different from the pigments used in the original colored paintings.Various modern synthetic pigments were identified in the repainted color paintings,such as titanium dioxide,chrome yellow,Sudan I,phthalocyanine green,ultramarine blue,bright red β-naphthol,etc.According to the use of pigments and historical records,the painting periods of the three colored paintings were determined to be around 1754,1860 and 1997.Due to the lack of knowledge of the pigments used in the original colored paintings,the pigments used in the later repaired color paintings are different from the original colored paintings.This study not only helps to judge the preservation history of architectural color painting but also provides a reliable basis for the protection of color painting,which has an important guiding significance for the subsequent protection and restoration work.

Beijing Altar of AgricultureRaman spectroscopyArchitectural colored paintingsPigments

马峻杰、李岩、吴福容、何康、王凤平

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北京科技大学数理学院,北京 100083

北京先农坛 拉曼光谱 建筑彩画 颜料

国家自然科学基金国家重点研发计划

118740842020YFF0305404

2024

光谱学与光谱分析
中国光学学会

光谱学与光谱分析

CSTPCD北大核心
影响因子:0.897
ISSN:1000-0593
年,卷(期):2024.44(4)
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