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王士禛神韵说的词学渊源

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王士禛神韵说自有其词学渊源.就填词实践而言,通过前期与后期词学实践的对比,发现王士禛的词学创作正是在早期神韵宗尚和趣味的不断肯定下实现的,且其词学实践与早期的神韵诗论"典、远、谐、则"的要求呈现出一致性.考其词论构建,其词学理论著作《花草蒙拾》上承早期的神韵宗尚,又不断建构完善,呈现出早期神韵宗尚从"言""象"向"意"的转变.从转型需求来看,王士禛神韵说的词学渊源,是在基于词体独特地位及诗词交互的认识下,受家学传统、社会风气、文学群体等因素影响,企图于实践中探寻出文学创作与政治环境之间的平衡之法.
The Lexical Origin of Wang Shizhen's Romantic Charm Theory
The romantic charm theory of Wang Shizhen has its own lexical roots.In terms of lyrical practice,Wang Shizhen's lexical creation is achieved through the continuous affirmation of the early romantic charm theory and related interests.His lexical practice is consistent with the requirements of the early romantic charm poetics of"Dian,Yuan,Li,Ze"(referring to classic allusions,profound meanings,rhythmic harmony,and accurate ration-ality).In terms of the construction of lexical theory,his lexical theory Hua Cao Meng Shi inherits the early roman-tic charm theory and continuously constructs and improves it,which presents a transformation from"word"and"image"to"meaning"in the early romantic charm theory.In terms of transformation needs,Wang Shizhen first ad-vocates the theory of divine charm in poetry,which is obviously attributed to his understanding of the interaction between poetry and poems.Under the influence of family tradition,social atmosphere,and literary groups,he at-tempts to find a balance between the political environment and literary creation at that time in practice.

Wang ShizhenLexical TheoryRomantic Charm TheoryHua Cao Meng Shi

刘深、楼天盛

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广西大学文学院,广西南宁 530000

王士禛 词学 神韵说 《花草蒙拾》

国家社科基金一般项目

21BZW108

2024

贵州师范学院学报
贵州师范学院

贵州师范学院学报

CHSSCD
影响因子:0.249
ISSN:1674-7798
年,卷(期):2024.40(9)