首页|当代艺术理论的价值论争与西方美学新变

当代艺术理论的价值论争与西方美学新变

扫码查看
当代艺术中的美学变体主要体现在对传统美学的基本命题和观念予以排斥,并以美学与时代生活的连接来推动艺术在当代的话语重建,不断扩展艺术的领域和美学的研究视野.围绕艺术的价值是取决于它所产生的审美体验还是诉诸于艺术之外的社会功能这个问题,引发了比尔兹利与古德曼关于"审美"与"认知"的价值争论.实际上这代表了美学领域中两种观念的抗衡与博弈,这种纠葛体现在对前卫艺术价值的美学认知上.前卫观念冲击了以美为主要价值的艺术观念,消解了美学传统价值的理论体系,加速了整个当代西方美学范式的转变.
The Debate on Value in Contemporary Art Theory and the New Turns in Western Aesthetics
The aesthetic variation in contemporary art is mainly reflected in the rejection of the basic propositions and concepts of tra-ditional aesthetics,and the promotion of its discourse reconstruction in contemporary times by linking aesthetics with life to constant-ly expand the field of art and the vision of aesthetic research.A debate on the value of being"aesthetic"or"cognitive"was trig-gered between Beardsley and Goodman which focused on the value of art.It is concerned whether the value of art depends on the aesthetic experience or it appeals to social functions beyond art.It actually represents the competition and game between the two concepts in the field of aesthetics as this entanglement is reflected in the aesthetic cognition of the value of avant-garde art.The avant-garde concept has challenged the artistic concepts that take beauty as the main value,dissolve the theoretical system of tra-ditional aesthetic value,and accelerate the transformation of the aesthetic paradigm in the entire contemporary western world.

artistic valueavant-garde artvalue hierarchyglobal aesthetics

安燕玲、段运冬

展开 >

西南大学美术学院,重庆 400715

艺术价值 前卫艺术 价值梯级 全球美学

2024

贵州大学学报(艺术版)
贵州大学

贵州大学学报(艺术版)

影响因子:0.204
ISSN:1671-444X
年,卷(期):2024.38(1)
  • 24