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花鼓灯艺术建构进程中的凝视、互化与传承

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花鼓灯之所以能够从淮河流域民间艺术发展成为闻名全国的综合表演艺术,关键在于其主体群落中的各个群体发挥着具有特定倾向性的能动作用.该艺术不仅仅有淮河流域玩灯人群体(局内人)历时的沉淀积累,也有"他者的凝视"(局外人)和各流派间的交流凝练,更有花鼓灯艺术主体群落间的错综互授,这些因素共同推动着花鼓灯艺术的多元化发展.当下花鼓灯艺术呈现出积极发展和被动消退两大动向,需要采取一定的政策措施和人为干预,护其源导其流,使之与时代接洽,以进一步优化花鼓艺术的生态环境.
The Gaze,Condensation,Mutual Learning and Exchange in the Construction of the Hua-gu-deng(Flower-Drum-Lantern)Art
The key to the development of Hua-gu-deng(Flower-Drum-Lantern)Art that evolves from a folk art in the Huai River Basin to a nationally renowned comprehensive performance art lies in the active role played by various groups in its main com-munity with specific orientations.This art not only involves the diachronic accumulation of the group of lantern players(insiders)in the Huai River Basin,but also"the Other's gaze"(outsiders)and the exchange and condensation between various schools,as well as the intricate learnings among the main groups of Hua-gu-deng Art and thus all these factors jointly promote its diversified development.At present,Hua-gu-deng Art is displaying two major trends:the positive development and the passive decline.It thereby is necessary to take certain measures in policy and interventions to protect its source and guide its development,make it in line with the times and further optimize its ecological environment.

Hua-gu-deng(Flower-Drum-Lantern)Artgazecondensationmutual learningcultural infusion

戎龚停

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阜阳师范大学 音乐舞蹈学院,安徽 阜阳 236041

花鼓灯 凝视 凝练 互授 文化互化

教育部人文社会科学研究一般项目(2019)

19YJA760050

2024

贵州大学学报(艺术版)
贵州大学

贵州大学学报(艺术版)

影响因子:0.204
ISSN:1671-444X
年,卷(期):2024.38(2)
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