首页|"自由的现象学"与艺术现象学——从《马丁·海德格尔:自由的现象学》论及艺术本源问题

"自由的现象学"与艺术现象学——从《马丁·海德格尔:自由的现象学》论及艺术本源问题

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德国思想家君特·费格尔在《马丁·海德格尔:自由的现象学》一书中指出,虽然存在问题是海德格尔哲学的主导问题,但自由问题才是海德格尔哲学的中心主题.因此,如果把海德格尔哲学称之为"现象学",那么,这种哲学也可叫做"自由的现象学".费格尔谈到他对自由的关注受到了艺术的启发,这在一定程度上呼应了海德格尔后期的艺术之思.费格尔把自由视为一个自由的敞开域,这实际上正是海德格尔对艺术本源的某种规定.在海德格尔看来,艺术是万物如其所是得以显现的自由境域,是天地神人四重整体互相映射的游戏.这种关于艺术的现象学思考,不仅奠定了海德格尔在当代艺术现象学中的核心地位,也为我们理解艺术作品提供了重要的视域.值得注意的是,经由费格尔强化了的"自由"概念,让我们隐约窥见了海德格尔从"存在"出发的艺术现象学的价值旨归.
"Phenomenology of Freedom"and Phenomenology of Art:On Martin Heidegger:Phenomenology of Freedom with a Phenomenological Reflection on the Origin of Art
German philosopher Günter Figal indicated in his book Martin Heidegger:Phenomenology of Freedom the issue of freedom is the central theme of Heidegger's philosophy,although the issue of beingis dominant.Therefore,if Heidegger's philosophy is called"phenomenology",then it can also be called"phenomenology of freedom".And Figalstatedthat his concern for freedom was inspired by art,which to some extent echoed Heidegger's later artistic ideas.Figal regarded freedom as an open realm of freedom,which is actually Heidegger's definition of the origin of art.In Heidegger's view,art is a free realm in which all things are in their rightful place,and it is a game played together bythe Geviert of sky,earth,gods and mortals.This phenomenological thinking about art not only has established Heidegger's core position in contemporary art phenomenology,but also provided an important perspec-tive for us to understand artistic works.And thus it is worth noting that the concept of"freedom"highlighted by Figal allows us to gain a vague glimpse of the value orientation originated from"being"in Heidegger's artistic phenomenology.

Martin Heidegger:Phenomenology of Freedomphenomenology of artfreedomthe origin of art

颜军、陈燕倩

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湖州学院 人文学院,浙江 湖州 313000

贵州大学 美术学院,贵州 贵阳 550025

《马丁·海德格尔:自由的现象学》 艺术现象学 自由 艺术本源

贵州师范学院社科基金博士项目

校2021019

2024

贵州大学学报(艺术版)
贵州大学

贵州大学学报(艺术版)

影响因子:0.204
ISSN:1671-444X
年,卷(期):2024.38(3)
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