首页|跨时空的融通:喜剧人物林亚珍与憨豆先生比较研究

跨时空的融通:喜剧人物林亚珍与憨豆先生比较研究

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从文化氛围、成长经历、形象塑造等方面进行比较,《点止咁简单》中的林亚珍与《憨豆先生》中的憨豆在创作策略上有很多融通之处.两个人物均具有审丑基因,其相似的成长经历背后是喜剧人物的现实意义,而他们都已成为文化符号的事实表明了喜剧的影响力;两个喜剧人物与饰演他们的明星之间相辅相成,明星不仅是意识形态的符号,也是具有个人能动性的表演主体;喜剧创作带有挑战性与颠覆性,两个人物对性别身份的反叛或消解是喜剧性的一个重要特征,而喜剧的狂欢和戏仿都潜藏着意义生产的解放性因素.
An Integration across Time and Space:A Comparative Study on Comic Characters Lam Ah Chun and Mr.Bean
In terms of cultural ambiance,growth experiences,and image construction,Lam Ah Chun shares many similarities with Mr.Bean as both characters possess an aesthetic gene for ugliness,with their similar upbringings reflecting the comic characters'real-world significance.The fact that they have both become cultural symbols underscores the influence of comedy.The interde-pendence between the two comic characters and the stars who portray them is the testament to the stars being not only ideological symbols but also active performers with personal initiative.Comedy creation is marked by challenges and subversion,with the char-acters'rebellion or dissolution of gender identity serving as a key characteristic of comedic wit,while the revelry and parody in comedy contain the liberating factors in the production of meaning.

comparative film studiescross-cultural communicationcomic characterLam Ah ChunMr.Bean

冯芃芃、肖懿轩

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中山大学 外国语学院,广东 广州 510275

中山大学 艺术学院,广东 广州 510275

比较电影 跨文化传播 喜剧人物 林亚珍 憨豆先生

2024

贵州大学学报(艺术版)
贵州大学

贵州大学学报(艺术版)

影响因子:0.204
ISSN:1671-444X
年,卷(期):2024.38(4)