首页|文化记忆中的共同体建构:广西壮剧《瑶娘》的文本衍变与仪式符号

文化记忆中的共同体建构:广西壮剧《瑶娘》的文本衍变与仪式符号

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"祭瑶娘"是广西壮族地区悼念瑶族女子"瑶娘"的集体祭祀活动.它作为一种民俗传统中的"凝聚性结构",不仅囊括了诸多地方性的文化记忆要素,还喻示着民族亲缘血脉的历史性路标.在从仪式到戏剧的文本衍变过程中,壮剧《瑶娘》依托于祭祀性的仪式传统,并将这段集体性的记忆进行编码和重构.壮剧《瑶娘》以"瘟疫叙事"为线索,利用戏剧空间展示面具、铜鼓、服饰等方言性的族群符号,同时勾勒出了特定地区的民族凝聚过程.壮剧《瑶娘》利用自身的媒介属性将文化记忆现时化,以生动的艺术实践延续着共享性的意义象征体系,这不仅将"地方知识"融合进"中华文化",更以民族化的艺术审美实践回应了"中华民族共同体意识"的铸牢之路.
Community Construction in the Cultural Memory:Textual Transformations and Their Ritual Symbols in Zhuang Opera Yao Niang in Guangxi Province
The"memorial ceremony for Yao Niang"is a collective sacrificial activity held by people in the Zhuang area of Guangxi province to commemorate"Yao Niang",a girl of Yao nationality.As a"cohesive structure"in folk tradition,it not only includes many local cultural memories,but also symbolizes the historical signpost of national kinship.In the textual evolution from the ritual to drama,the Zhuang opera Yao Niang relies on the tradition of sacrificial rituals and encodes and reconstructs this collective memo-ry as it takes the"plague narrative"as the plot and employs the theatrical space to display local ethnic symbols such as masks,drums,costumes.Meanwhile,it outlines the process of ethnic cohesion in a specific region.The Zhuang opera Yao Niang makes use of its own media attributes to present the cultural memory and preserve the cultural memory with vivid artistic practice,which not only integrates"local knowledge"into"Chinese culture,"but also responds to the path of forging the"Sense of a Community of the Chinese nation"with nationalized artistic and aesthetic practices.

Zhuang opera Yao Niangtextual transformationritual symbolcultural memorycommunity construction

吴震东、王佳玮

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中南民族大学 文学与新闻传播学院,湖北 武汉 430074

壮剧《瑶娘》 文本衍变 仪式符号 文化记忆 共同体建构

2024

贵州大学学报(艺术版)
贵州大学

贵州大学学报(艺术版)

影响因子:0.204
ISSN:1671-444X
年,卷(期):2024.38(4)