首页|薅草锣鼓歌郎表演的三重性源流考释

薅草锣鼓歌郎表演的三重性源流考释

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薅草锣鼓是以"更互力田"为目的的传统农事音乐活动,歌郎作为薅草锣鼓传播与传承的主体,在其"表演"过程中呈现出"神圣性""娱乐性""权威性"的三重性特点.《周礼》中职官系统的"司祝""龠章"与"鼓人"对于"歌郎"这一"角色"的最终形成存在着直接的关系.这表明,在"礼崩乐坏"后国家用乐并没有消失,而是与俗乐进行了深度的融合,从而演化出具有更强包容性与开放性的中华礼乐文明.
A Study on the Threefold Origins of Gelang(Singer)in the Performances of Gong & Drum Weeding Music
The performances of gong & drum weeding music are traditional agricultural music activities with the purpose of"mutual help and collaboration in the fields".As the main part of the dissemination and inheritance of gong & drum weeding music,three-fold characteristics are displayed by Gelang(singer):"sacredness","entertainment"and"authority"in their"performances".The official system of"Sizhu(the ceremonial official during the sacrificial ceremony)","Yuezhang(the official in charge of sacri-ficial rites)"and"Guren(the official in managing drum music)"in Rites of Zhou(Zhouli)has a direct relationship with the final formation of the"role"of"Gelang(singer)".And it shows that after the"collapse of rituals and music",state music did not dis-appear,but was deeply integrated with secular music,thus evolving a more inclusive and open Chinese ritual and music civiliza-tion.

gong & drum weeding musicGelang(singer)origin

文飞、白雪梅

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四川文化艺术学院,四川绵阳 621000

薅草锣鼓 歌郎 源流

川东非物质文化遗产保护与发展中心重点资助项目

2022ZD02

2024

贵州大学学报(艺术版)
贵州大学

贵州大学学报(艺术版)

影响因子:0.204
ISSN:1671-444X
年,卷(期):2024.38(5)
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