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音乐美学理解的可能性

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音乐是最早进入到哲学家、美学家视野里的艺术样式.哲学、美学对音乐的阐释经历了音乐形式论、音乐体验论、音乐审美论、音乐本体论、音乐价值论等几个阶段.语言虽无法穷尽音乐的意味,但却又是通往音乐境界的云梯.19 世纪艺术在经历了祛魅之后,丑、忧郁、刺耳、悲伤、破碎、无序等进入音乐,美学言说音乐面临着诸多困境.美学对音乐的观照一定是多方面的"对位",在对音乐的历史、风格和语境的考察中,以"知性"的思维方式游移于内容与形式、理性与感性之间.尊重个人意图、注重文本细读、领悟音乐情境,方能最大限度地实现音乐的美学理解.
The Possibility of Aesthetic Understanding in Music
Music has long been one of the first art forms to capture the attention of philosophers and aestheticians.The philosophical and aesthetic interpretation of music has evolved through several stages,including theories of musical form,music experience,music aesthetics,music ontology,and music value.While language cannot fully capture the complexities and overtones of music,it serves as a vital gateway to its deeper realm.Following the disenchantment of the 19th century,music embraced themes such as ugliness,melancholy,harshness,sadness,fragmentation,and disorder.The aesthetic interpretation of music now faces significant challenges,as it must address the multifaceted nature of music itself.Aesthetics must navigate between content and form,rationality and sensibility,adopting an"intellectual"mode of thinking in the analysis of music's history,style,and context.True aesthetic understanding of music can only be achieved by respecting the artist's intention,closely reading the musical text,and engaging deeply with the musical context to fully appreciate its meaning.

aestheticsmusicunderstandinginterpretationintellectuality

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河北师范大学 音乐学院,河北 石家庄 050024

美学 音乐 理解 阐释 知性

2025

河北师范大学学报(哲学社会科学版)
河北师范大学

河北师范大学学报(哲学社会科学版)

影响因子:0.431
ISSN:1000-5587
年,卷(期):2025.48(1)