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阿多诺艺术思想中的模仿问题

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艺术与模仿的关系是文艺理论中一直在探讨的基本问题.在艺术与现实之间的关系问题上,历来有"再现"和"表现"两种对立的说法.一般来说,人们倾向于把"再现"看作是对现实的模仿,而把"表现"看成是对情感的抒发,由此"再现"和"表现"便成为两种对立的创作观念.阿多诺在《美学理论》一书中对此也作了论述,他认为艺术与模仿的关系问题至今还没有得到很好解决,有关某物为何在艺术中被模仿,以及某物为何被叙述得如同真的一样而实际上是假的,或者充其量也只是对现实的歪曲等问题还没有得到令人满意的答案.虽然关于模仿的诸多问题仍存有争议,但阿多诺依旧承认模仿是艺术作品的构成要素,不同的艺术媒介也都依照模仿律来取得同一.所以历史上无论是将模仿思想从美学中剔除,还是不加鉴别地予以接纳,都是错误的.应将艺术与模仿的关系问题置于巫术、幻象、理性等范畴中予以辩证审视,从而对艺术的谜语特质进行消解.
On the Issue of Imitation in Adorno's Artistic Thought
The relationship between art and imitation is a fundamental issue under continuous discus-sion and exploration in literary theory.On the issue of the relationship between art and reality,there have always been two opposing views of"reproduction"and"representation".Generally speaking,people tend to regard"reproduction"as an imitation of reality,and"representation"as an expression of emotion,and thus"reproduction"and"representation"have become two opposing creative con-cepts.Adorno also discusses this issue in his book Aesthetic Theory.He believes that the issue of the relationship between art and imitation has not been well resolved,and there is still no satisfactory an-swer to the issue of why something is imitated in art,and why something is described as true but actu-ally false,or at best,it is just a distortion of reality.Although many issues of imitation are still con-troversial,Adorno still admits that imitation is a constituent element of a work of art,and that differ-ent art media also achieve identity according to the law of imitation.Therefore,it is equally wrong to reject the thought of imitation from aesthetics or to accept it without discrimination in history.The relationship between art and imitation should be examined dialectically in the categories of witchcraft,illusion and reason,so as to dispel the riddle characteristics of art.

Adornoimitationthe subjectillusion

刘秀哲

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黑龙江大学文学院,黑龙江哈尔滨 150080

阿多诺 模仿 主体 幻象

国家社科基金后期资助项目

20FZXB062

2024

江苏科技大学学报(社会科学版)
江苏科技大学

江苏科技大学学报(社会科学版)

CHSSCD
影响因子:0.329
ISSN:1673-0453
年,卷(期):2024.24(2)
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