首页|"非虚构写作"中的女性群像及其精神困境——以梁鸿"梁庄三部曲"为例

"非虚构写作"中的女性群像及其精神困境——以梁鸿"梁庄三部曲"为例

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"梁庄三部曲"是梁鸿非虚构写作的代表作品.作者以知识分子的身份重回故乡,用"女性讲"和"讲女性"的方式叙述乡村女性群体,观察、记录、见证了城市化进程中乡村女性的生活和情感状态,书写了女性在不同家庭角色中的精神困境.从受困于"熟人社会"逐渐迷失自我的妻子,到重返故乡承担"隔代抚养"的"双重母亲",再到反抗意识渐趋觉醒的乡村女性和皈依异质宗教的女性,作者着力关注乡村女性群体在社会转型过程中的精神困境及其成因,为乡村女性的精神建构寻求可能的言说方式."梁庄三部曲"在非虚构乡村女性书写及其话语建构中有着独特意义.
Female Images and Their Mental Predicament in"Non-fiction Writing"——Taking Liang Hong's"Liang Zhuang Trilogy"as an Example
"Liang Zhuang Trilogy"is the representative work of Liang Hong's nonfiction writing.The author returned to his hometown as an intellectual,describing the rural female population in the way of"women talking"and"talking about women",so as to observe,record and witness the living and e-motional status of rural women in the process of urbanization,demonstrating various spiritual dilem-mas of women in different family roles.From the wife who is trapped in"the acquaintance society"and gradually loses herself,to"the dual mother"who returns to her hometown to undertake"inter-generational upbringing",to the rural women who gradually awaken their resistance consciousness and convert to heterogeneous religions,the author focuses on the spiritual predicament and its causes of rural women in the process of social transformation,seeking possible ways of expression for the spiritual construction of rural women,which has unique significance in the writing and discourse con-struction of non-fiction rural women.

Liang HongLiang Zhuang Trilogyfemale imagesfemale writingnon-fiction writing

曲静研、张继红

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宝鸡文理学院文学与新闻传播学院,陕西宝鸡 721013

梁鸿 梁庄三部曲 女性群像 女性书写 非虚构写作

2024

江苏科技大学学报(社会科学版)
江苏科技大学

江苏科技大学学报(社会科学版)

CHSSCD
影响因子:0.329
ISSN:1673-0453
年,卷(期):2024.24(4)