哈尔滨学院学报2024,Vol.45Issue(5) :108-112.DOI:10.3969/j.issn.1004-5856.2024.05.023

五音戏中的地域文化书写与内涵阐释

Regional Cultural Writing and Connotation Interpretation in Five-Tone Drama

邱菊
哈尔滨学院学报2024,Vol.45Issue(5) :108-112.DOI:10.3969/j.issn.1004-5856.2024.05.023

五音戏中的地域文化书写与内涵阐释

Regional Cultural Writing and Connotation Interpretation in Five-Tone Drama

邱菊1
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作者信息

  • 1. 淄博师范高等专科学校,山东 淄博 255130
  • 折叠

摘要

五音戏,原名"肘鼓子",是鲁中地区地方戏曲形式之一.它产生于章丘青野一带,流行于济南、淄博等地,距今约四百年的历史.五音戏的唱腔婉转,极具民间口头文学特点,素有"北方越剧"之称,2006 年被列为第一批国家级非物质文化遗产.五音戏能够在鲁中大地生根、发芽并且传承下去,不仅在于它独到的艺术特色,还在于它与当地文化紧密结合,充分展现了当地百姓的精神品质、日常生活以及当地社会的历史文化、社会的发展与变化等,这也是五音戏地域文化的充分体现.

Abstract

Five-Tone Opera,formerly known as"elbow drum",is one of the local opera forms in the central region of Shandong.It originated in the Qingye area of Zhangqiu and is popular in Jinan,Zibo and other places,with a history of about 400 years.The singing style of Five-Tone Opera is graceful and highly characteristic of folk oral literature.It is known as the"Northern Yue Opera"and was listed as the first batch of national intangible cultural heritage in 2006.The reason why Five-Tone Opera can take root,sprout,and be passed down in the land of central Shandong is not only due to its unique artistic characteristics,but also because it is closely integrated with local culture,fully showcasing the spiritual quality,daily life of local people,as well as the historical and cultural development and changes of local society.This is also a full reflection of the regional culture of Five-Ton Opera.

关键词

雅俗共赏/虚实相生/五音戏/地域文化

Key words

suit both refined and popular taste/the coexistence of virtual and real/Five-Tone Drama/regional culture

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出版年

2024
哈尔滨学院学报
哈尔滨学院

哈尔滨学院学报

影响因子:0.269
ISSN:1004-5856
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