解析电影《瞬息全宇宙》中的后现代主义特征
Research on the Postmodernism Features in the Film Everything Everywhere All at Once
汪开庆 1刘婕妤1
作者信息
- 1. 广西大学 艺术学院,广西 南宁 530004
- 折叠
摘要
电影《瞬息全宇宙》无论在内容上还是形式上,都具有后现代主义的典型特征.在主题表达上,影片聚焦于一个华裔家庭的解构与重构,来反映移民家庭尖锐的代际冲突.在人物塑造上,刻画了独立自主的现代女性形象,深入探讨了华裔家庭中的母女关系,通过母女之间由对立走向和解的过程呼吁现代女性主体意识的觉醒.在电影叙事上,通过构建一个混沌的多元宇宙,对现实世界进行了变形、拼贴、戏仿,颠覆了元叙事.
Abstract
The film Everything Everywhere All at Once,both in terms of content and form,has typical characteristics of postmodernism.In terms of theme,the film focuses on the deconstruction and reconstruction of a Chinese family to reflect the sharp intergenerational conflicts of immigrant families.In the character portrayal,it depicts the independent modern female image,probes deeply into the mother-daughter relationship in the Chinese family.Through the process of the mother-daughter relationship from opposition to reconciliation,this movie appeals to awake the subject consciousness of modern women.In the film narration,through the construction of a chaotic multi-universe,the real world has been deformed,collage,parody,and disrupt the meta narrative.
关键词
《瞬息全宇宙》/后现代主义/解构/女性意识/多元宇宙Key words
Everything Everywhere All at Once/postmodernism/deconstruction/female consciousness/multi-universe引用本文复制引用
基金项目
湖南省高等学校思想政治工作研究高校思想政治教育项目(2021)(21C15)
出版年
2023
NETL
NSTL
维普
万方数据